FWD CALLS

FWDing CALLS for Film, Video & New Media projects, works, participation, engagement, etc...

2006-08-07

[FWDCALLS] Advertising Anarchism

Call for Submissions
Please Post Widely

Advertising Anarchism:
The Pitfalls and Possibilities of Propaganda

For some, the word “propaganda” elicits fear. For others, it suggests a
musty sort of nostalgia for the early part of the twentieth century when
anarchists and revolutionaries used it to promote alternative visions of
social organization. With the rise of advertising and government agencies
entirely devoted to shaping public opinion, “propaganda” took on
frightening connotations of manipulation and deceit.

With state and corporate appropriation of propaganda, anarchists and
revolutionaries shied away from rhetorically superior forms of
persuasion. The anti-authoritarian impulse to shun all forms of coercion
is fraught with an obvious problem. How can anti-authoritarians persuade
their audiences of the virtues of their visions of social transformation
without resorting to tried rhetorical methods often dismissed as
“propagandistic?”

By negating strategies of advertising, branding, and propaganda,
anarchists and revolutionaries have often failed to successfully create
winning campaigns in the marketplace of ideas. The sad result is that by
waging poorly conceived campaigns, anti-authoritarians have defeated their
visions before communicating them to the public at large. Without a viable
communication and public relations strategy, anarchism has turned into an
anachronism.

In an effort to remedy this perilous defeatism, artists, activists,
propagandists, historians, technologists, psychologists, theorists, and
cultural critics are hereby invited to submit essays for an upcoming
anthology tentatively titled: Advertising Anarchism:The Pitfalls and
Possibilities of Propaganda. Starting with the premise that anarchists do
have something valuable to communicate, many provocative and vital
questions emerge.

∑ What works, what doesn’t, and most importantly, why?
∑ What are the costs and consequences of using or not using coercive
rhetorical strategies?
∑ What can be learned from the fields of advertising? Branding? Mass
marketing?
∑ What might anti-authoritarians learn from state propaganda in
politically diverse countries like the United States, the USSR, Cuba,
North Korea, Iran, and Germany?
∑ What strategies can anti-authoritarians appropriate from
television, the film industry, the gaming industries, and marketing
agents?
∑ What are the ethical limits of rhetoric? When does advertisement
become a form of authoritarianism? What can anti-authoritarians do to
prevent that?
∑ What are the most historically relevant cases of successful
anarchist and anti-authoritarian propaganda?
∑ What are the most effective forms of propaganda and what can
anarchists learn from them?
∑ Should anarchists use social networking websites, blogging, and
vlogging to spread their ideas? If so, how?
∑ Should anti-authoritarians interact with, use, or subvert
corporate media, the non-profit establishment, or other so-called
mainstream systems of idea dissemination? What are the most effective ways
this has been and could be done?
∑ What institutions have existed, exist, or should exist to create
effective propaganda? How have they been or should they be organized?
∑ What alternatives exist to propaganda, advertising, and branding?
How should they be deployed?
∑ Is it really worth attracting the attention of a “mass audience”
through “mass media?” Why?
∑ Can anarchism rescue itself from the vaults of history with
successful branding? How?
∑ In what ways can anarchists target campaigns to specific
demographics? What are effective strategies for market research?
∑ Should anarchists aspire to compete rhetorically with
multinational corporations, the state, the military, etc…? If so, how?
∑ Is the term propaganda useful? If so, why? If not, what terms are
better suited for anarchist messaging?
∑ What are the benefits and perils of local and/or global campaigns?
What are the advantages and disadvantages of each strategy?
∑ By communication with dominant rhetorical strategies, are
anarchists reinforcing dominant culture?
∑ What are the benefits and perils of illegal forms of distribution
such as pirate radio and television?
∑ What are the benefits and perils of work within dominant culture?
∑ In what ways can propagandists best relate their work to specific
campaigns?
∑ What ways has anarchist propaganda been funded? How can it
continue to be funded? What are specific funding strategies?
∑ In what ways do propaganda and art differ? Should they be
theorized and practiced separately?

Subjects of interest include but are not limited to:
∑ Digital technologies
∑ Blogging/Vlogging
∑ Gaming
∑ Print
∑ Film/Video
∑ Public Service Announcements
∑ Radio
∑ Journalism
∑ Zines
∑ Publishing
∑ Billboards
∑ Posters
∑ Graffiti
∑ Graphic Design
∑ Oration/Public Speaking
∑ Teach-ins
∑ Branding
∑ Websites
∑ Social Networking
∑ Fashion
∑ Viral Marketing
∑ Funding Structures

Essays should focus on the history, theory, and/or contemporary practice
of propaganda and/or practical tips for messaging and advertising in a
variety of mediums. In looking at the history, theory, practice, and tips,
writers should focus on rhetorical, aesthetic, and practical strategies
that create successful propaganda campaigns.

After reading the book, anti-authoritarians should be armed with a sound
historical and theoretical background to frame their rhetorical strategies
and should be provided with an arsenal of specific tips, skills, and
tactics for creating successful campaigns. Essays should give readers
skills, ideas, and histories that are as practical as they are intriguing.

Historical essays should focus on concrete examples of anarchist
propaganda and messaging from the past. Theoretical essays should
illuminate the economic, ethical, strategic, and tactical issues
surrounding anarchist propaganda. Essays focusing on contemporary practice
should be concrete, pragmatic, and instructive giving readers skills,
strategies and tactics for anarchist messaging.

Email complete essays or proposals of 300 words to Kyle Harris at
anarchoaesthetics@yahoo.com with the subject “Advertising Anarchism.”

Proposals are due October 1rst.
Complete essays due by December 1rst.

For more information, contact Kyle Harris at anarchoaesthetics@yahoo.com
with “Advertising Anarchism” in the subject line.

2006-07-11

[FWDCALLS] PARAFLOWS 06

CALL FOR ENTRIES
------------------------
PARAFLOWS 06 / annual convention for digital arts and cultures
09.-16.09.2006, Vienna, Austria
------------------------
paraflows 06 / EXHIBITION
The exhibition PARAFLOWS 06 invites you to submit contributions. The exhibition deals with current artistic positions within digital media and net cultures. We will present productions which – using new media as a cultural tool – aim for a better understanding of today’s society, thus also being able to utter criticism in order to redesign society. We are eager to see works highlighting and scrutinising the decisive role of new technologies in the development and the perception of presentday culture. This year’s exhibition will focus on the idea of a ‘net behind the net’ which can mean both the digital behind the social net, and the social behind the digital net. Paraflows (the Greek prefix ‘para’ meaning: beside, near, moreover) emanates from the main motors of freedom of the net and its para-experts, the wikipedias and slashdots of all areas within which consumers help each other voluntarily to become and remain critical users and experts in their fields. We are interested!
in works augmenting our understanding of data protection and privacy, decentralisation, and self-publishing, works that deal with the implications of free ‘social software’ (web 2.0, blogs, wikis, etc.) in realspace, and in works analysing the importance of computer programming as a cultural technique.
------------------------
paraflows 06 / LOCATIONS exhibitions
The exhibition will be held in various locations of the Viennese art and culture scene, ranging from art spaces to clubs, production sites and gallery spaces (details below). We explicitly encourage contributions which are generated for or in accordance with one of the locations, though spatial reference is by no means compulsory. For the seven days of the exhibition, there will be a ‘net.art-brunch’ taking place at a different location every day, intended to provide opportunities for artists and producers to communicate with each other.
location_1 / ARTWARE-LOUNGE
Keywords: Exhibition space of arteware.cc, quite slick environment. Space: 2 rooms, 120m2 and 40m2, in the basement. Equipment: 1 projector, dvd player, internet. Comment: the basement is highly suitable for projections. Contact: paraflow coordinator Judith Fegerl, jdth@tdth.net, www.arteware.cc
location_2 / BLUMBERG
Keywords: art collective and contemporary art platform, concept art, art installations, design, media art, performance & discussions. Space: 120m2, former shop with shop windows, very open, neutral environment. Equipment: collective ressources available, open Wlan, leased line. Comment: no loud sound-projects. Contact: Florian Harmer, office@blumberg.at, www.blumberg.at
location_3 / PROJEKTWERTSTATT SOHO
Keywords: newly renovated rooms, ground floor of a corner house, project “Kunst-im-Stadtteil” [‘art-in-the-quarter’], immigrants, participative projects. Space: 2 rooms, 55m2, 35m2. Equipment: Wlan, leased line, optional: 1 projector, dvd player, computer. Comment: interventions welcome. Contact: Ula Schneider, ula.schneider@sohoinottakring.at, www.sohoinottakring.at
location_4 / METALAB
Keywords: social open space for collaboration and knowledge exchange with interdisciplinary magicians and technically creative enthusiasts, grant-aided net culture. Space: 200m2 spread over several rooms, no white cube but expert atmosphere. Equipment: 1 projector, several computers (Linux), open Wlan, leased line. Comment: projects with conceptual and, even more so, technical expertise are preferred. Contact: Christopher Clay, mail@c30.org, www.metalab.at
location_5 / UMRAUM
Keywords: artists/architects duo, art concepts, process art, promoters of spatial phenomena, outer-institutional art, internet as fragment of the public. Space: anteroom 12m2, studio 36m2, shop 16m2, rather neutral, basement, corner house, partially reclaimable outdoor space. Equipment: 2 projectors, several monitors, 4 dvd players, 1 computer (Apple), open Wlan, leased line. Comment: suitable for installations, production, exhibitions. Contact: Kurt Weckel, umraum@sil.at, http://www.umraum.net/
location_6 / VEKKS
Keywords: classic underground subculture with Freebie Shop at the entrance, quarter socialisation. Space: about 120m2, blue walls, back yard, rustic basement of about 70m2. Equipment: Hi-fi system, 1 computer, leased line. Contact: Georg Stejskal, vekks@yahoo.com, http://umsonstladen.at/ and http://www.vekks.cjb.net/
location_7 / werkzeugH
Keywords: digital living room, 400m2 + 200m2 outdoor space, big glass façade towards the street, space for architectonic interventions, discourse space and DIY academy. Space: 170m2 (13 by 13m). Equipment: power, water, Wlan, leased line. Comment: happily accepted: installations with reference to realspace, outdoor space/architecture. Contact: Manfred Wuits, manfred@monochrom.at, http://einreichplan.wien.net
------------------------
paraflows 06 / SUBMISSION exhibition
DEADLINE: August 4th 2006, 24:00:00 MET
Project submissions will only be accepted in digital form as one single pdf-file sent to office@paraflows.at
1) Name, institution (if existent), address, email, phone number, website/s
2) Submitted work: title, medium, author/s, year of production
3) Please choose up to three of the following catchwords as key aspects for your submitted work: interface, database, software, device, game, animation, immersive, narrative, linear, non-linear, analogue, found footage, sonic, visual, tactile, interactive, reactive, auto-active, participatory, generative, performative, locative, networked, shared, DIY, political, archival, documentary, site-specific, urban, communal, contemplative, poetic, humoristic, therapeutic.
4) Description of the project (1 page maximum), please note preferred location
5) Technical explanations, spatial/system needs (hardware, operating system, additional software)
6) Further information
7) Biographies
8) Documentation of former projects (website/s is sufficient)
Language: only works in German or English, respectively works with subtitles in one of these languages will be accepted.
Works in other languages must come with a list of texts in German or English.
We explicitly encourage artists and producers from outside Austria to enter the competition.
Jury: The projects will be selected in consensus with the organisers of the particular location and with the exhibition management.
------------------------
paraflows 06 / FRAME
PARAFLOWS 06, the annual convention for digital arts and cultures, is taking place for the first time, it features an exhibition, a symposium, workshops, and various social events. The four Paraflows 06-panels (September 10th – 11th 2006) at the Semperdepot of the Academy of Fine Arts Vienna will mark the beginning of a week of work and discussion for the NetzNetz community the following days.
------------------------
paraflows 06 / CONTACT
office@paraflows.at
Festival Manager: Guenther Friesinger , Assistance: Sabine Maierhofer
Exhibition: Angela Dorrer, Support: Judith Fegerl
Symposium: Leo Findeisen
Office: MQ Musumsquartier, c/o monochrom, A-1070 Wien, Museumsplatz 1, Austria
Paraflows06 is funded by the City of Vienna, MA7 Netculture.
Supported by the Academy of Fine Arts Vienna and the University of Vienna.
------------------------

[FWDCALLS] LIGHTNING IN A BOTTLE

CALL FOR ART - LIGHTNING IN A BOTTLE

LIB has expanded their call for art work. Lightning is a Bottle is a green 3-day festival. Be sure to read about the festival before you submit as only people who are interested in this type of event need apply. At this time, they are taking submissions of every type and every medium. If interested, submit a bit of info on you along with a link to your website OR 3 or 4 jpgs.
info on Lightning in a Bottle - Lightninginabottle.org
submit work to: mike@russekdesign.com

(must be able to get to SOCAL as there is no time for shipping)

DO NOT REPLY TO THIS MESSAGE/POST - ALL SUBMISSIONS/QUESTIONS MUST BE SENT TO MIKE@RUSSEKDESIGN.COM

[FWDCALLS] THE AMSTERDAM FILM EXPERIENCE: !BREAKING OUT OF THE FRAME!

A NEW FESTIVAL FOR INTERNATIONAL SHORT FILM, VIDEO, AND ART OF THE MOVING IMAGE IN AMSTERDAM IS OPEN FOR SUBMISSIONS! DEADLINE: AUGUST 15th!

THE AMSTERDAM FILM EXPERIENCE: !BREAKING OUT OF THE FRAME!

The Amsterdam Film Experience, an exciting new festival for international short film, video, and art of the moving image, will be taking place in Amsterdam from October 6-8, 2006. The host venue, Het Ketelhuis, is well known for its film exhibitions, new media forums, and events.

New media, multi-media, video art, experimental film, video-gaming ... the boundaries between film, video, and other audio-visual mediums have become more and more blurred in the past few years. New labels have been applied in order to try and classify what is essentially multi-disciplinary. What many of these ingenious outputs have in common is film as their underlying language, their root or their point of convergence. What is more, many artists of varying backgrounds (visual, theater/performance, and music alike) have made use of film in order to reach a wider audience. Film is, after all, a mass medium.

We want to showcase short films by artists who often do not get the chance to present their work to a broader audience and create a venue that includes filmmakers, audio-visual artists, VJs, webdesigners, television producers, advertising creatives, musicians, as well as performance artists; and everyone else who seeks to be stimulated and agitated by film.

Our key categories are:

- Sound & Vision
- Guerrilla Techniques
- New Directions
- Narrative - Time - Space Continuum
- Crossover Animation
- Buzz, Clicks & Visual Chaos


Please visit our website www.amsterdamfilmexperience.com for more information, or contact info@amsterdamfilmexperience.com

[FWDCALLS] V1B3: Video in the Built Environment

V1B3: Video in the Built Environment
Summer 2006: Orange California | London UK


CALL FOR PARTICIPATION:
DEADLINE EXTENDED TO July 17th DEADLINE

V1B3 is requesting submissions of short videos* that in the broadest terms possible, explore public space though human interaction, intervention and the mechanisms that influence and control the experience of the city.

V1B3 is an international curatorial project that aims to present video art that responds to the conditions of site specificity and a public viewer-ship. Urban planners and architects are used to shaping cities by means of infrastructure, zoning and buildings. However, other modes of intervention exist that are capable of influencing the development of a city. Communicative media interventions can transform public spaces.

V1B3 Summer06 will be presented in conjunction with the University Film and Video Association conference, sponsored by Chapman University in Orange, California. The US screening will occur during the UFVA conference [August 1ST-5th] in Orange, CA. The UK screening will be held at the London Study Center.

V1B3 Summer06 will have a companion DVD developed for publication and purchase.

Application can be found at http://www.v1b3.com

US Contact:
Mat Rappaport
info@v1b3.com

Sceenings Will be August 1st – 5th


* up to 2 minutes in duration. Works longer than 3 minutes will not be considered.

[FWDCALLS] CREATIVITY & COGNITION 2007

CC2007 - SECOND CALL FOR PAPERS

***********************************************
CREATIVITY & COGNITION 2007
Seeding Creativity: Tools, Media, and Environments

June 13-15, 2007 Washington DC, USA
http://www.cs.umd.edu/hcil/CC2007/

Sponsored by ACM SIGCHI
Industry Sponsors include IBM, Microsoft, SAP and Google
***********************************************

IMPORTANT DATES
Submission deadline: December 15, 2006
Author notification: February 19, 2007
Final formatted papers due: March 19, 2007

We cordially invite submissions to the 6th Creativity and Cognition
Conference (CC2007), sponsored by ACM SIGCHI. Following the success
of the previous conferences, this meeting will serve as a forum for
focusing on creativity support tools for individual and group
creativity, bridging among technology, science and arts to find common
themes for user interface and new media design, and producing rigorous
research with innovative designs and carefully conceived evaluations.

We welcome contributions from researchers, developers, practitioners,
and policy-makers in many fields, including: computer and information
scientists; diverse scientists, engineers, and architects; product,
graphic, and interaction designers; writers, musicians, and new media
artists; creative practitioners, corporate leaders, and educators;
social scientists, ethnographers, and anthropologists.

The conference will feature two elegant evening receptions at the
National Academy of Sciences and Corcoran Gallery of Art to celebrate
the dialogue among technology, science, and arts.

CONFERENCE THEMES
The general focus of the conference is about cultivating and sustaining
creativity: understanding how to design and evaluate computational
support tools, digital media, and sociotechnical environments that not
only empower our creative process and abilities, but also encourage and
nurture creative mindsets and lifestyles. Topics appropriate for
submissions include, but are not limited to:

- Principles for interface, interaction & software design
- Empirical evaluations by quantitative and qualitative methods
- In-depth case studies and ethnographic analyses
- Reflective accounts of individual and collaborative practice
- Educational and training methods to encourage creativity with novel
interfaces
- Social mechanisms in support of creative communities and
collaboratories
- Emerging technologies, media, and approaches in the arts and creative
practices
- Transdisciplinary methods and collaboration models

CONFERENCE SUBMISSIONS
See the conference website (http://www.cs.umd.edu/hcil/CC2007/ ) for
details and instructions on how to prepare a submission.

/ PAPERS /
Co-Chairs: Gerhard Fischer, Mike Eisenberg & Elisa Giaccardi,
University of Colorado, Boulder, USA
Conference themes include: 1) Cultivating creative minds;
2) Sustaining creative communities; 3) Promoting creative engagement.

/ DEMONSTRATIONS AND POSTERS /
Chair: Linda Candy, University of Technology Sydney, Australia We
invite proposals for demonstrations and posters of support tools and
works that contribute to our understanding of creativity and how
digital media can enhance the realization of creative forms. People in
the early stages of their careers or research programs are especially
welcome to submit.

/ WORKSHOPS /
Chair: Michael Terry, University of Waterloo, Canada New developments
often benefit from being presented, discussed, demonstrated, and
generally questioned in more informal settings. The workshops portion
of the conference provides just such a venue for the dynamic exchange
of new ideas, creations, and discoveries.

/ GRADUATE STUDENT SYMPOSIUM /
Co-Chairs: Mary Czerwinski, Microsoft Research & Jim Hollan, University
of California, San Diego, USA The objective of the symposium is to
provide a supportive setting for feedback on graduate students' current
work and guidance on future directions. Student participants will meet
and discuss their work with each other and a panel of experienced
researchers and practitioners.

/ TUTORIALS /
Chair: Tom Hewett, Drexel University, USA We invite proposals to offer a
half or full day tutorial relevant to any of the conference themes and
topics. Criteria for selection of tutorials will emphasize the
perceived value of the tutorial in enabling members of the various
communities of interest to learn about work in one or more of the other
communities of interest. Presenters will receive an honorarium.

ART EXHIBITION
Chair: Pamela Jennings, Carnegie Mellon University, USA The art
exhibition program will complement the conference themes by celebrating
the open-ended creative processes that bridge the arts and sciences
emphasizing shared visions of innovation between the digital media
arts, computer science, human computer interaction and engineering
research.

PROCEEDINGS
As with prior meetings, the Creativity & Cognition Conference
Proceedings will be published by ACM Press. Prizes for the best
contributions will be awarded by the Creativity & Cognition Studios
of the University of Technology, Sydney.

ORGANIZATION
General Chair:
Ben Shneiderman, University of Maryland

Technical Program Committee:
Gerhard Fischer, University of Colorado, Boulder
Mike Eisenberg, University of Colorado, Boulder
Elisa Giaccardi, University of Colorado, Boulder

Distinguished Advisors:
Richard Florida, George Mason University
Paul Horn, IBM VP Research
Daniel Ling, Microsoft VP Research
William A. Wulf, President, US National Academy of Engineering


CONTACT INFORMATION
For questions regarding CC2007, please address e-mails to:
CC2007-info@cs.umd.edu
Website: http://www.cs.umd.edu/hcil/CC2007/

2006-07-09

[FWDCALLS] Collective: Unconscious

Hi Everyone,

I hope all is well in the world of art making that you are all conquering this year! C:U is launching a new subsidized rehearsal annd performance space program. Please check out the guidelines for applying:

http://www.weird.org/bookings_structure/

We have a limited # of weeks in the 2006-2007 season, so please apply early and we hope to see your show on our stage. Please forward your inquiries to programming@weird.org.

We are also looking to fill internship positions for the fall in booking/programming, marketing, development and technical theater. If you know young folks who want theater experience tell 'em to give us a shout at future@weird.org

Visit http://www.weird.org/new_opportunities_at_cu/help_cu_by_doing.htm for details on internships, work-exchange and volunteering at C:U.

Please forward this message to your friends and colleagues. Here's hoping everyone has a wonderful summer.

-Caterina Bartha
Co-Founding Director
Collective: Unconscious

[FWDCALLS] Slamdance 2007 Film Festival Call For Entries!

Slamdance 2007 Film Festival Call For Entries!
January 18, 2007- January 27, 2006
Park City, UT, United States

As a year round organization, Slamdance serves as a showcase for the discovery of emerging talent and is dedicated to new filmmakers and their vision. Started in 1995 by a group of filmmakers, Slamdance continues to be organized and programmed “by filmmakers for filmmakers.” The annual Festival has been headquartered at Park City’s Treasure Mountain Inn since 1997. Slamdance has established a unique reputation for premiering independent films by first-time directors working with limited budgets. With a renowned film festival as its core, Slamdance has expanded its ventures to include thriving Screenplay and Teleplay competitions, slamdance.com, the Anarchy online short film competition, Dirty Dozen short film DVD series, a $99 Special short film production wing, a Games competition and a newly formed 99K Feature Project educational program. Entry forms and application information are available through the Slamdance website: www.slamdance.com. All film selections will b!
e posted on the 2007 festival page during the second week of December. Video art welcome!

Deadlines:
Early Deadline: August 28, 2006
Final Deadline: October 16, 2006
Short Films under 40 minutes: October 10, 2006

Official site
www.slamdance.com

[FWDCALLS] Victory Media Network

The Victory Media Network, a large-scale digital art gallery in Dallas, Texas, announces a new opportunity for filmmakers, digital artists and visual storytellers to show their work in a unique, world-class outdoor venue.

Launching in November of this year, the Victory Media Network® will display publicly-submitted artwork, in conjunction with other media, on 11 LED Barco O-lite screens. Eight of these screens are on horizontally moving tracks an offer a myrid of motion possibilites. Please visit, www.victorymedianetwork.com, to see an animation of the space and all entry requirements.

This dynamic media space will incorporate work ranging from non-narrative video displays to visual stories to short clever films. VMN has recently begun accepting entries of all genres for the first body of artwork. As VMN is a public, outdoor space, we ask that all entries be less than 10 minutes in length and contain material suitable for general audiences.

For more inforamation on VMN, please visit www.victorymedianetwork.com or email info@victorymedianetwork.com Thank you for your interest in VMN!

[FWDCALLS] ASPECT Performance

ASPECT is currently welcoming submissions for our ninth volume, Performance. This issue will focus on the broad spectrum of performance art—from the most traditional interpretations to those integrating advanced technologies, inanimate objects, passersby, sites, and beyond.

All submissions must include the following, and must be postmarked by September 30, 2006.
• Video in DVD, VHS or miniDV format.
• Artist’s name and resume
• Artist and Commentator contact information (phone, mailing address, and e-mail)
• Commentator’s name and resume
• Brief notes outlining the contents of the proposed commentary
• A self-addressed stamped envelope if materials need to be returned

Commentators can be curators, critics, theorists, educators, or other individuals with a broad understanding of the artist’s work and the greater art historical context. An artist cannot supply his or her own commentary. The video should be between 5-12 minutes in length.

You will be contacted by November 1 if your piece is selected. At that point, the following additional information will be needed:
• Your video on miniDV tape or as uncompressed Quicktime data file on dvd
• A short (approx. 100 words) biography of the artist
• A short (approx. 100 words) statement about the work
• A photograph of the artist
• A short (approx. 100 words) commentator’s biography
• A photograph of the commentator

We look forward to your submissions—details here:
http://www.aspectmag.com/submissions/faq.cfm


Liz Nofziger
Assistant Editor
Aspect: The Chronicle of New Media Art
http://www.aspectmag.com


Liz Nofziger, artist
http://www.nofzilla.com

[FWDCALLS] Art in the Age of Technological Seduction

CALL FOR PAPERS: DEADLINE JULY 30, 2006

"Art in the Age of Technological Seduction"
NMC media-N: journal of the new media caucus Fall 2006 issue
Guest Editors: Legier Biederman and Joshua Callaghan

http://www.newmediacaucus.org/media-n/call.htm

The fall 2006 issue of NMC media-N, “Art in the Age of Technological Seduction,” is a collaborative platform, a diverse questioning, re-considering and re-imaging of what, when and how new media arts practice is viewed by artists, practitioners, theorists, critics and historians working in the field today. We seek a broad range of contributions discussing the scope, values, and definitions of diverse new media arts practices and hope that this issue of Media-N will be a departure as much as much as an arrival. Four general questions have been posed by the members of the new media caucus as points of entry for an engaging, vibrant discussion.

The issue will be divided into two sections: The first section invites brief personal accounts and anecdotal responses addressing and/or expanding one of the four questions, and we encourage everyone to respond to this section, as we’d like to include as many responses as possible. The second section invites papers that address these questions in a more lengthy and detailed form.

Four Questions:
1. Defining and Re-imagining
What are new media arts? Is it necessary that we define new media arts? How do we begin to discuss or teach new media arts? What sets new media arts apart from other disciplines or practices, or what connects them? What's (still) new about new media or what was, if anything ever was? What defines your work as new media art and why? How do you explain new media arts to your students and colleagues? What did or currently does attract you to new media arts practices?

2. Discourses on New Media Arts: What do the discourses do to the practice? How might one describe or define the discourse/s on new media arts? How does new media arts discourse relate to new media practices? In other words, what does the discourse/s do or attempt to do to new media arts? Are theory and practice being brought together in new media arts discourse, and if not, how might we begin to do so? What do you find interesting or problematic about new media arts discourses? Do you think there is a disjuncture between new media arts practice and the discourses on it? As a new media artist, do new media arts discourses affect your practice?

3. Authorship, Relationships & Relationality
Does your work maintain a traditional relationship between the artist/author/producer and the spectator/viewer? If not, how does it transgress these boundaries? Do you feel it necessary to challenge these boundaries? Do you consider relationality, the non-hierarchical intertwining of data, artwork, artists, and viewers etc., an important aspect of your work? In what context/s is your work shown and how does effect it. How do recombinatory practices commonly found in new media such as sampling, appropriation, and mash-ups, challenge traditional author/viewer conventions? While autonomy and relationality have long lineages in art history, how do they function within new media arts practices and discourses?

4. E-litism: Technospheres and the Everyday
How do notions of location, language, identity, and cultural understandings of communication inform or effect new media practices? Who is left out of, disproportionately under-represented, in the world of new media art practices? Is, as some have argued, the openness often associated with information technologies and new media practices, paradoxically, replacing the national politics of a past with the global connectivity of cosmopolitan tourism? How does your particular specificity (sexual, gender, ethnic, racial, class) affect your practice, your work or its reception?

Event reviews: The editorial board also invites proposals for reviews of exhibitions/events/
festivals/conferences, etc.

For more information: http://www.newmediacaucus.org/media-n/call.htm
[] Send manuscripts via email to: Legier Biederman (lbiederm@ucla.edu) by July 30, 2006
[] Paper format and media format are in the 'Submission Guidelines' link
[] Media-N author's agreement is available from the 'Copyright Statement' link
[] [] Questions: contact guest editors Legier Biederman (lbiederm@ucla.edu) and Joshua Callaghan (joshua@joshuacallaghan.com)
THANK YOU!!

[FWDCALLS] ISEA2006 re:mote

ISEA (International Symposium on Electronic Art)2006, an international conference held in conjunction with ZeroOne San Jose: A Global Festival of art on the Edge,
will be held in San Jose, CA, August 7-13 2006. Both events are "situated at the critical intersection of art and technology." ISEA2006 re:mote is a symposium
within ISEA2006 and is issuing a Call for Proposals.


ISEA2006 re:mote, August 10-12, 2006

International new media art discourse is stimulated by festivals and events like ISEA2006 which form temporary cultural centers to represent, present and discuss
networked and digital technologies. However by forming temporary centers we also tacitly create a notion of a periphery - with temporary centers also come
temporary peripheries. In new media culture this is a paradox as much new media art, theory, and discourse reflects on the network itself and the elusiveness and
redundancy of centers and peripheries.

ISEA2006 re:mote attempts to dissuade us from imposing these distinctions by providing a platform for artists, commentators, curators, performers and theorists to
participate in ISEA 2006 via online and pre-recorded media.

ISEA2006 re:mote Open Call

ISEA2006 re:mote is inviting media spaces and individual artists, theorists, and curators from around the world to speak or perform via remote technologies to the
audience at ISEA. Presentations to be directed at the four themes of ISEA 2006. Participants are invited to present or perform on topics included within the ISEA
symposium, and onsite audience interaction with the presenters is also encouraged. ISEA re:mote will focus on presenting media spaces and people that would
otherwise be excluded from presenting their work at ISEA due to financial, political, or logistical reasons.

The length of each presentation can be negotiated, however, for now we have set the maximum time limit of 20 minutes. Technologies used will be up to each
presenter, the premise is that the technologies should be easy for you to use and access and ISEA2006 re:mote will manage the corresponding technology
requirements as much as possible onsite at ISEA2006. Live and pre-recorded material can be included. Live presentations could use any available technlogies
including voice technologies such as Skype/OpenWengo/Gizmo/Linphone/Ekiga or other softphones, audio or video streams, video conferencing with softwares like
ichatAV/Ekiga/Skype/OpenWengo, web cams, shared desktops using softwares like VNC/RemotePC or Remote Desktop, text chats such as irc or webchats, avatar
environments, gaming environments, or even the telephone! In situations where your available bandwidth is limited or restricted, delivery of digital presentation
material (audio/video) can be delivered electronically or posted by traditional mail. In all situations online presence of the presenters would be beneficial, this
may take the form of IM, irc or other text based chat technologies if 'realtime' audio or video communications are not possible. Creative use of remote
presentation technologies is encouraged!

Time slots have to be negotiated, but we are willing to bend as much as we can to include as many people as possible from various time zones. Unfortunately there
are no honoraria available for this event.

ISEA2006 will feature four themes: Interactive City, Community Domain, Transvergence, and Pacific Rim. Please see the following links for further information on
each on the themes:

Transvergence
http://01sj.org/content/view/25/71/

Interactive City
http://01sj.org/content/blogcategory/23/68/

Community Domain
http://01sj.org/content/view/23/69/

Pacific Rim
http://01sj.org/content/blogcategory/25/70/


All proposals need only be a short paragraph outlining what you would like to present, a short bio (one paragraph), and the software, technology, or other delivery
process you would like to use for the presentation. Please email this information to Adam Hyde at :

adam@xs4all.nl


ISEA2006 re:mote is a collaboration between ISEA2006 ( http://01sj.org/ ) and Adam Hyde ( http://www.xs4all.nl/~adam ) and is based
on the re:mote series of events:

re:mote auckland - organised by r a d i o q u a l i a and ((ethermap
http://www.remote.org.nz/

re:mote regina - organised by r a d i o q u a l i a and soil media lab
http://soilmedia.org/remote/


=======================================



--



Adam Hyde
~/.nl

selected projects
http://www.xs4all.nl/~adam

the streaming suitcase
http://www.streamingsuitcase.com

r a d i o q u a l i a
http://www.radioqualia.net

Free as in 'media'
email : adam@xs4all.nl
mobile : + 31 6 186 75 356 (Netherlands mobile)

[FWDCALLS] DIME 2006 1st International Conference

DIME 2006 1st International Conference
on Digital Interactive Media and Arts.
25th-27th October 2006
Rangsit University, Bangkok, Thailand
http://www.dime2006.org

Extended Deadline 15th July 2006

Research- Art Exhibition
Interactive art has changed the nature of what we consider art to
be.It is changing the creative processes and even the role of the
artist that now is called new media artist or interactive artist.
Intersections between art and technology are transforming the way art
is produced, and each time more frequently teams of artist, designers,
engineers, etc.. works together in art and media labs. These teams are
not frequently related with the traditional art scene or circuits, as
they approach or are directly part of the academia, the research
laboratories at the universities, and the digital art specialized
forums.

In this call for artworks we appeal directly to research artist or
teams working in the convergence between disciplines, creating
innovative technologies or just re-engineering existing ones through
meanings and concepts. We encourage projects that focus on the
creation of culture through digital media, reconfiguring technologies
for the full range of human experiences.


Exhibition Program Committee
----------------------------------------------

Clara Boj (Spain)--Arts Chair

Diego Diaz (Spain)--Arts Chair

Daniela Alina Plewe (Germany)

Gunalan Nadarajan (Singapore)

Jean Wee (Singapore)

John Sturgeon (USA)

June Yap (Singapore)

Keiko Kobayashi (Japan)

Louis-Philippe Demers (Canada)

Mark Chavez (USA)

Moises Mañas (Spain)

Pau Alsina (Spain)

Peter d'agostino (USA)

Rodney Berry (Australia)

Santiago Ortiz (Colombia)

Steve Bradley (USA)

Vladimir Todorovic (Serbia)

Zachary Lieberman (USA)


--------------------------------------
DIME 2006 is a conference where we showcase the latest developments
from the entertainment software developers and academic industrial
researchers. This conference is targeted at both the research and
commercial communities. We hope to promote research and practical
applications in the context of interactive digital entertainment
systems, leading edge of new digital and interactive media art and
technology.

[FWDCALLS] vague terrain 04: the body digital

call for audio artists/musicians - vague terrain 04: the body digital

Context:

In his 1964 text "Understanding Media" media theorist & future-caster Marshall McLuhan stated that electricity was an extension of the nervous system. The next issue of Vague Terrain is dedicated to continuing this line of thought and exploring both the interface and friction between contemporary digital technology and the body. Vague Terrain 04: the body digital will serve as a catalog of new conceptions of the intersection between the physical and digital realms, one in which the body is read as a dataset, instrument, and host to new economies and discourses.

The Call:

Vagueterrain.net's fourth issue will be entitled "the body digital" and we are currently seeking the work of audio artists and musicians whose work deals with the interface between the body and contemporary technology to showcase in this issue. Vague Terrain 04: the body digital will be published online in early September 2006 so work would need to be submitted by mid August. Vague Terrain audio submissions generally consist of 30-40 minutes of original sound/music which is distributed through our publication via an author sanctioned creative commons license.

Please see http://www.vagueterrain.net for more information about the scope of our publication.

If you are interested in contacting us regarding submitting audio work to this issue, or have any questions please contact us via submit@vagueterrain.net

Thanks for your time!

Greg Smith & Neil Wiernik
editors/curators
http://www.vagueterrain.net

[FWDCALLS] SocialEast

SocialEast
Forum on the Art and Visual Culture of Eastern Europe


SEMINAR SERIES - CALL FOR PAPERS

Proposals for papers are invited from art historians, curators and artists that examine the art and visual culture of Eastern Europe during the socialist period. The SocialEast seminars are organised by MIRIAD Manchester Metropolitan University and will be held at various venues during 2006-7.

Papers should address one of the four thematic areas covered in the seminar series: Art and Ideology, Art and Documentary, Art and Revolution, or Art and Memory. Further details of the seminars are given below and on the SocialEast Forum website www.socialeast.org

Please send a 200 word proposal and biographical note to Dr. Reuben Fowkes r.fowkes@mmu.ac.uk by Monday 31 July 2006.


SocialEast Seminar Series 2006-7

A series of international seminars will be held during 2006-7 to address issues of Art and Ideology, Art and Documentary, Art and Revolution, and Art and Memory in the context of East European art and visual culture. The seminars will be accompanied by contemporary art events, including exhibitions, artists' presentations and film screenings.

No.1 Art and Ideology
Manchester Metropolitan University, Friday 6 October 2006

The focus of the first seminar will be the relationship between art and ideology in the context of the recent history of East European art. Specific issues that will be addressed include: the writing and rewriting of East European art history; the role of exhibition strategy, museology and curating in the reconstruction and reappraisal of the history of art in East Central Europe; contemporary artists' projects dealing with the legacy of the art of the socialist period from conceptualism to socialist realism; and theorising the contradictions between national, regional and international accounts of East European art, both historical and contemporary.

No.2 Art and Documentary

Open Society Archives / Central European University Budapest, 10 November 2006

The second seminar will coincide with the celebration of the 50th anniversary of the Hungarian Revolution in Budapest, and will include coverage of issues such as: the role of contemporary art in commemorating historical events from the socialist period, both revolutions and counter-revolutions; the history and treatment of public monuments in Eastern Europe; relics of socialism in contemporary visual culture, and the use of photographic and film archives of the socialism in visual research.

No.3 Art and Revolution

Venue and date to be confirmed

The third seminar takes as its primary focus the legacy of political, social and cultural revolutions for art and visual culture in Eastern Europe. This would include discussion of the role of the historical avant-garde, the specific trajectory of Conceptual Art in Central Europe, and the reevaluation of Socialist Realism as an art historical problem in the context of modernism, post-modernism and the polarised aesthetics of the Cold War.

No.4 Art and Memory

Venue and date to be confirmed

The fourth seminar focuses on the role of artists in excavating memories of the socialist period. It considers the role of artists, curators and researchers in analysing and processing public memories and consciousness, as well as the role of visual representations in our understanding and recoding of Eastern Europe's socialist past. The widespread concern with the endangered memories of socialism takes place against the backdrop of rapid social and cultural change on the path to trans-national integration, and the seminar will also deal with the search for alternative models in art and society.

2006-07-07

[FWDCALLS] The 3rd international video journalism award

Please forward to people who are interested in video journalism. Thank
you!
Bitte weiterleiten an Personen die Interesse am Videojournalismus
haben. Danke!

deutsche Version unterhalb

CALL FOR ENTRIES !deadline 1th of September!
3rd international video journalism award Berlin
http://www.videoreporter.org



3rd international video journalism award
27 ­ 29 October, 2006 Berlin

The 3rd international video journalism award is an international
competition of short documentary
videos, television journalism reports in any language and reportages
in German language by reporters and video
journalists working individually. The directing, camera work, sound
and editing are all the work of a
single person. The video producers utilize the creative potential of
digital technology and approach
the new, autonomous production methods as a challenge and an
advancement of video production.
Alongside the idea and the concept, the pre-selection committee and
the jury appraise the imaginative
use of filmmaking techniques by video journalists.

Smaller cameras allow greater freedom of movement that can often lead
to new insights and perspectives.
Furthermore, non-linear editing technology has grown more stable and
versatile, so that raw material
gathered by the video makers themselves may be manipulated in more
spontaneous, playful and experi-
mental ways. This results in video productions that influence and help
to advance television journalism.

We seek video documentaries ­ authentically rendered stories that win
their audiences through their
particular intensity, contemporary treatment and a unique approach by
the maker. They should be
able to measure up to time-honored quality criteria of form and
content, yet at the same time, further
develop limits of conventional television. Recognition will go to
videos that experiment with the new
production methods and excel through a journalistic and cinematic
narrative form all their own. The
video makers' experimental drive will figure prominently.

international video journalism award

TV-Produktion ­ ausgestrahlte Beiträge | TV production ­ broadcast
reports (1500 €)
A journalistic or documentary report with a maximum duration of 15
minutes, produced by one or
more video journalists/video reporters, and which has already been
broadcast.

Independent Film | independent video (1500 €)
A journalistic or documentary report with a maximum duration of 15
minutes, produced by one or
more video journalists/video reporters, but which has not necessarily
been broadcast.
deutscher video journalism award

TV-Produktion ­ ausgestrahlte Beiträge | TV production - broadcast
reports (1500 €)
A journalistic or documentary report with a maximum duration of 15
minutes, produced by one or
more video journalists/video reporters and which has been aired by a
German-language television
channel (please indicate the station and broadcast date). All genres.

Independent Film | independent video (1500 €)
A journalistic or documentary report with a maximum duration of 15
minutes, produced by one or
more video journalists/video reporters, but which has not necessarily
been broadcast.

Reportage (2500 €)
A feature report in the German language with a minimum duration of 15
minutes and a maximum
duration of 29 minutes, produced by one or more video
journalists/video reporters, but which has not
necessarily been broadcast.

newcomer video journalism award (1000 €)
A journalistic or documentary report with a maximum duration of 15
minutes, produced by one or more
video journalists/video reporters. The applicants must be under 28
years of age or currently enrolled in
an institution of higher education. Those productions will be
considered for awards whose appeal lies in
a unique style of content or cinematography and indicate a great
potential for the applicant.

Spezialpreis der Jury | special prize of the Jury (500 €)
The jury will award a special prize for an extraordinarily innovative
video production.

Online- und Zuschauerpreis | online and audience prize (500 €)
Video journalism is one aspect of a global movement. In view of this
fact, all entered videos that
fulfill the eligibility requirements and are released by their makers
are to be put online under
http://www.videomission.com and made available for viewing by all
those interested in video production.
A specially developed open online voting system will allow the users
to cast votes for their favorite entries.

We are looking for videos that experiment with the new production
methods and excel through an
original journalistic and cinematic narrative form and content. The
video makers' experimental drive
will figure prominently in this appraisal. The videos entered must not
exceed a total running time of
15 minutes. Exception is the award for the feature report in the
German language. These must also
have been produced by one or more video journalists/reporters.

The 3rd international video journalism award is to be held in Berlin
from the 27th to the 29th of
October, 2006. In public screenings and discussions, video reporters
and journalists, documentary
filmmakers, programme managers, print journalists and television
executives from Europe and the
U.S.A. examine the current state of development of video journalism
and sound out the specific
programming opportunities offered to video reporters and journalists.
The award presentation will take place on the 28th of October, 2006.

The festival is presented by: Deutsche Welle | DW-TV, Hessischer
Rundfunk (hr), videomission,
Bauhaus-Universität Weimar, Schweizer Fernsehen (SF), Bayerischer
Rundfunk (BR),
Mitteldeutscher Rundfunk (mdr), Radio Bremen (RB), ZFP (Hanover),
Thüringer Staatskanzlei,
Panasonic and Ambient Recording.

Curator of the festival is Sabine Streich.

entryforms and more information on:
http://www.videoreporter.org

greetings,

Albert Beckmann, organisation



ENGLISCH VERSION ABOVE



Ausschreibung 3. Internationaler Video Journalismus Award
!Deadline 1. September!
http://www.videoreporter.org

3rd international video journalism award
27 ­ 29 October, 2006 Berlin
Der 3rd international video journalism award ist ein internationaler
Wettbewerb für dokumentarische
Kurzfilme, journalistische Fernsehbeiträge und deutschsprachige
Reportagen einzeln arbeitender
Autoren und Videojournalisten. Regie, Kamera, Ton und Schnitt liegen
in einer Hand. Die Film- und
Fernsehschaffenden nutzen das Gestaltungspotenzial der Digitaltechnik
und begreifen die neuen
autonomen Produktionsmöglichkeiten als Herausforderung und
Weiterentwicklung des journalistischen
und filmischen Handwerks. Vorauswahlkommission und Jury bewerten neben
Idee und Konzeption die
gestalterische Auseinandersetzung nach dem Autorenprinzip.

Kleine Kameras ermöglichen mehr Bewegungsfreiheit und können oft zu
neuen Ein- und Ausblicken
führen. Non-lineare Schnittsysteme erfreuen sich mittlerweile einer
weiten Verbreitung, zudem
werden sie immer stabiler und leistungsfähiger, so dass das selbst
gedrehte Rohmaterial aktueller,
spielerischer und experimenteller verarbeitet werden kann. Das
Resultat sind filmische Beiträge, die
die gegenwärtige Fernsehberichterstattung beeinflussen und
weiterentwickeln.

Wir suchen dokumentarische Filme, authentisch erzählte Geschichten,
die durch besondere Intensität,
durch eine zeitgemäße Gestaltung und durch eine unverwechselbare
Autorenhaltung überzeugen.
Sie sollten klassischen inhaltlichen und formalen Qualitätskriterien
standhalten, aber gleichzeitig die
Grenzen des herkömmlichen Fernsehens erweitern. Prämiert werden Filme,
die mit der neuen Produk-
tionsweise experimentieren und durch eine eigene
journalistisch-filmische Erzählweise inhaltlich und
formal herausragen. Die Experimentierfreude der Macher steht hierbei
im Vordergrund.

international video journalism award - Kategorien

TV-Produktion ­ ausgestrahlte Beiträge | TV production ­ broadcast
reports (1500 €)
Journalistischer bzw. dokumentarischer Filmbeitrag von maximal 15
Minuten Länge, der von einem
oder mehreren Videojournalisten/Videoreportern produziert worden ist
und bereits ausgestrahlt wurde.

Independent Film | independent video (1500 €)
Journalistischer bzw. dokumentarischer Filmbeitrag von maximal 15
Minuten Länge, der von einem oder
mehreren Videojournalisten/Videoreportern produziert worden ist.
Beitrag muss nicht ausgestrahlt
worden sein.

TV-Produktion ­ ausgestrahlte Beiträge | TV production - broadcast
reports (1500 €)
Journalistischer bzw. dokumentarischer Filmbeitrag von maximal 15
Minuten Länge, der von einem
oder mehreren Videojournalisten/Videoreportern produziert und von
einem deutschsprachigen
Fernsehsender ausgestrahlt wurde (bitte Sender und Ausstrahlungsdatum
angeben!). Alle Genres.

Independent Film | independent video (1500 €)
Journalistischer bzw. dokumentarischer Filmbeitrag von maximal 15
Minuten Länge, der von einem
oder mehreren Videojournalisten/Videoreportern produziert wurde.
Beitrag muss nicht ausgestrahlt
worden sein.

Reportage (2500 €)
Deutschsprachige Reportage von mindestens 15 Minuten, höchstens 29
Minuten Länge, die von einem
oder mehreren Videojournalisten produziert wurde. Reportage muss nicht
ausgestrahlt worden sein.

newcomer video journalism award (1000 €)
Filmbeitrag von maximal 15 Minuten Länge, der von einem oder mehreren
Videojournalisten/Video-
reportern produziert wurde. Die Bewerber müssen unter 28 Jahre alt
oder an einer Hochschule ein-
geschrieben sein. Prämiert werden Arbeiten, die durch eine
eigenständige inhaltliche oder filmische
Handschrift überzeugen und ein großes Potenzial des Bewerbers erkennen
lassen.

Spezialpreis der Jury | special prize of the Jury (500 €)
Die Jury vergibt einen Spezialpreis für einen besonders innovativen Film.

Online- und Zuschauerpreis | online and audience prize (500 €)
Videojournalismus ist Teil einer globalen Bewegung. Deshalb sollen
alle eingereichten Filme, die
den Einreichkriterien entsprechen und von den Filmemachern freigegeben
werden, auf
http://www.videomission.com online gestellt werden und
Filminteressierten zur Ansicht zur Verfügung
stehen. Ein speziell entwickeltes offenes Online-Voting ermöglicht es
den unter den Usern
beliebtesten Film zu finden.
Wir suchen Filme, die mit dieser neuen Art von Produktionsweise
experimentieren und durch eine
eigene journalistisch-filmische Erzählweise inhaltlich und formal
herausragen. Die Experimentier-
freude der Macher steht hierbei für uns im Vordergrund. Die
eingereichten Beiträge dürfen eine
Gesamtlänge von 15 Minuten nicht überschreiten. Ausnahme ist der
Wettbewerb um den deutsch-
sprachigen Reportagepreis. Die Filme müssen von einem oder mehreren
Videojournalisten/Video-
reportern produziert worden sein.

Der 3rd international video journalism award findet vom 27. bis 29.
Oktober 2006 in Berlin statt.
In öffentlichen Screenings und Diskussionen werden sich
Videoreporter/Videojournalisten,
Dokumentarfilmer, Programmmacher, Journalisten und Fernsehchefs aus
Europa und den USA
mit den gegenwärtigen Positionen des Videojournalismus auseinander
setzen und die besonderen
programmlichen Möglichkeiten des Videoreporters/Videojournalisten
ausloten.

Die Preisverleihung findet am 28. Oktober 2006 in Berlin statt.
Das Festival wird präsentiert von: Deutsche Welle | DW-TV, Hessischer
Rundfunk (hr), videomission,
Bauhaus-Universität Weimar, Schweizer Fernsehen (SF), Bayerischer
Rundfunk (BR),
Mitteldeutscher Rundfunk (mdr), Radio Bremen (RB), ZFP (Hannover),
Thüringer Staatskanzlei,
Panasonic und Ambient Recording.

Kuratorin des Festivals ist Sabine Streich.

Einreichformulare und aktuelle Informationen unter
http://www.videoreporter.org

freundliche Grüße,

Albert Beckmann, Organisation

[FWDCALLS] IMAGES FESTIVAL 2007

CALL FOR SUBMISSIONS
IMAGES FESTIVAL 2007
Toronto, Ontario, CANADA

Special deadine for former entrants
Postmark: 30 July 2006 (NO ENTRY FEE)
_(Apologies for multiple postings)_

//INSTALLATION // NEW MEDIA// LIVE IMAGES //

The Images Festival annually exhibits a selection of media arts
installations, new media artworks and "Live Images" performance as part of
our annual festival. Images works with several Toronto galleries and other
alternative exhibition spaces to show media art installations which
incorporate the moving image, interactive media and performativity.

Please check our web archive for information on our exhibition history:
http://www.imagesfestival.com

Among the artists whose installations and new media works have
been featured in past festivals: Harun Farocki, Pipilotti Rist, Steve
McQueen, Stan Douglas,Bjørn Melhus, David Rokeby, Masashi Iwasaki & Tadasu
Takamine, Jane & Louise Wilson, John Greyson, Bob Ostertag & Pierre Hébert,
Gustavo Artigas, Carolee Schneemann, Judy Radul, Richard Fung, Luke Jerram,
Paulette Phillips, Joe Kelly, Nell Tenhaaf, Jean-François Guiton, Daniel
Olson, Deanna Bowen, Haruki Nishijima, Gebhard Sengmüller, Marion Coutts,
Willy LeMaitre & Eric Rosenzweig, Adriana Arenas Ilian, Michael Snow,
Althea Thauberger, Taras Polataiko, Dara Gellman & Leslie Peters, Michelle
Teran, badpacket.


PDF's of submission & guideline forms are downloadable at

http://www.imagesfestival.com/generic.php?id=28&heading=submissions

For more information, or to have a submission form sent to you
please contact

_(film and video guidelines will be available in July)_

Best regards,
THE IMAGES FESTIVAL
448-401 Richmond Street West
Toronto. Ontario M5V 3A8 Canada
T 416.971.8405
F 416.971.7412
http://www.imagesfestival.com

20th Edition>>>> 5-14 April 2007 >>>>>>

[FWDCALLS] Mobile&DMB Fest 2006

CALL FOR ENTRIES : Mobile&DMB Fest 2006

Mobile&DMB Fest 2006 is open for entries of the competition section Mobile Express for international works as well as Korean works. Organized by Seoul Moving Image Forum and presented by Seoul Film Festival Executive Committee, Mobile&DMB Fest is trying to introduce brilliant works through New Media such as mobile and DMB. We sincerely hope you consider this an exciting opportunity to show your great endeavors in the new environment of digital art works.

WHEN : September 8 - 30, 2006
Screening of Competition Section and Out-of-Competition Section

WHERE : Mobile and DMB (broadcasting channel to be confirmed)
SeNef website and Media Lounge, Supporting organizations°Ø and sponsors°Ø website, portal site

Mobile&DMB Fest 2006 SUBMISSION DEADLINE : July 28, 2006 (Arrived)

ELIGIBILITY
For the competition section, only works completed after January 2005 may be submitted to the festival. Submissions should be creative works produced or adopted through digital technology. There will be no restrictions regarding genre or subject matter of the work and all types of works, including fiction, documentary, experimental, music video, animation, motion graphic, flash animation, game, web-art, etc. will be accepted. Running time should be under 20 minutes.

MATERIALS REQUIRED FOR SUBMISSIONS :
1) Application Form (available at http://www.senef.net)
2) 1 still picture and 1 photo of director (300 dpi JPG file)

3) Preview material (VHS-Tape, DV 6mm, DVD, CD, File-Transferring or URL address for preview)
* For File-Transferring indications, please contact us to program3@senef.net
Contacts
Mobile&DMB Fest 2006 Program Dept.
(135-090) 5F, Youahn Bldg. 146-23 Samsung-Dong, Kangnam-Gu, Seoul, Korea
Tel. 82-2-518-4332 / Fax. 82-2-518-4333

program3@senef.net
http://www.senef.net

[FWDCALLS] Virtual Reality PhD Studentship

PhD Studentship
Virtual Reality representation of uncertainty in Earth Systems Engineering model predictions
University of Newcastle upon Tyne, jointly funded by the Informatics Research Institute and the School of Civil Engineering and Geomatics.

A three-year PhD studentship is available at the School of Civil Engineering and Geomatics starting 1st October 2006, supervised by Dr Mike Walkden, Dr Patrick Olivier and Professor Jim Hall. The studentship will be linked to the ‘Sustainable Coasts’ research programme of the Tyndall Centre for Climate Change Research (http://www.tyndall.ac.uk) and will work on the output of Tyndall’s coastal simulator.
The project aims to develop Virtual Reality (VR) techniques for the representation of the uncertainty in predictions of coastal erosion and flooding in order to improve understanding by decision makers, stakeholders and the public.
Tasks will involve:
· developing a basic understanding of the Tyndall coastal research programme and the flood and erosion modules of Tyndall’s coastal simulator,
· reviewing literature concerned with visual analytics, risk/hazard communication, uncertainty analysis, flood modelling and erosion modelling,
· constructing simple deterministic visualisations of the flood and erosion output in quasi 3-dimensions (Q3D) on a PC and in 3 dimensions (3D) using the IRI VR suite. VR technical support will be provided by the IRI,
· preparation of Q3D and 3D visual representation of uncertainty, exploring issues of scale and representation of economic risk,
· demonstration of the most promising 3D and Q3D methods to selected groups and assess their perception of the uncertainties and risks through structured interviews and questionnaires.

The student appointed for this task should be mathematically and computationally proficient with some programming experience, and will be engaged in an exceptionally interdisciplinary environment opening onto the University's Cultural Quarter through links between IRI and Culture Lab, Newcastle's newly opened digital hub for practice-based creative research.

Eligibility
The studentships comprise a tax-free maintenance payment of around £12k per annum for three years (equivalent to more than £15k before tax), plus automatic payment of university fees, but as such are available only to EU citizens. Students from other locations may also apply but will only be eligible for part funding.

Applications received before the end of July 06 will be guaranteed consideration. Applications should be made through the online booking system at: http://www.ncl.ac.uk/postgraduate/apply/applicationforms.phtml

Further particulars and background information can be obtained from:
http://www.ceg.ncl.ac.uk/postgrad/phd_projects/
http://www.ncl.ac.uk/iri/
http://www.ncl.ac.uk/environment/
http://www.ceg.ncl.ac.uk/research/water/index.htm
For informal information please contact Dr. Mike Walkden at mike.walkden@ncl.ac.uk

[FWDCALLS] VIDEOLOGIA 2006

III INTERNATIONAL FESTIVAL OF AUDIO-VISUAL ARTS

VIDEOLOGIA 2006

Deadline: November 1st 2006

Curatorial group of VIDEOLOGIA is calling for entries for the official
selection program of the III International festival of audio-visual arts
that will take place in Volgograd, Russia, in November of 2006. Artists and
directors working with short films, video art, animation, documentary
films, net art and various visual experiments are welcome to participate!
All selected titles will be screened in the cinema halls and art galleries
and evaluated by the independent jury and local audience.

I. Festival VIDEOLOGIA: brief introduction.

The festival debuted in 2004. The competition selection and hors concourse
programs of international & Russian festivals & curators were demonstrated
for four days. Along with screenings VIDEOLOGIA 2004 included video
gallery, theoretical forums, concerts and performative actions in clubs.
Works taking part in the selection program were subdivided into two
nominations according to the main conceptual lines of the festival: 1)
Intersection of video with other arts (poetry, painting, photography,
dance); 2) (V)ideological statement of an artist.

The II festival VIDEOLOGIA 2005 received more than 600 video and cinema
works from 42 countries. Three screening days of its selection program
included films based on three conceptual nominations: 1) Retrospection
(works about displaced traumatic images of the past); 2) Current Moment
(films about the present and its fixation by the audio-visual means); 3)
Infanteria Futura (video and cinema about the future embodied in the
childhood images).

Independent jury of VIDEOLOGIA 2005 consisted of artists, directors,
curators, theoreticians of contemporary art and musicians, who also played
concerts, held master classes and public lectures. Among the award winners
of the festival were Gerars Kairaschi (France), AES + F (Russia), Mehmet
Bahadir Er (Turkey), Dmitry Bulnygin (Russia), Patrick Rebisz (Poland
USA), Pierre Daudelin (Canada). The unique innovation of the VIDEOLOGIA
2005 became the internet conferences with the artists who could not arrive
to Russia but had a chance to present their work to the local audience,
answer their questions and watch the screening programs on-line.

Foreign partners of VIDEOLOGIA 2005 in hors concourse programs were
International festival of cinema and video Visionaria (Italy),
International festival of experimental film Carbunari (Romania) and Inter
American Videoart Biennale (works of authors from South and Central
America).

II. VIDEOLOGIA 2006: Thematic pattern

The key conceptual lines of VIDEOLOGIA 2006 will be articulated with the
special attention to the art works arriving to the festival. These lines
will become the result of synthesis of curatorial intentions and ideas of
the festival participants. Nevertheless, according to traditions of
VIDEOLOGIA curators formulate a thematic orienting point for artists and
directors. It will enable the festival selection program to become an
integral, but not homogenous, composition of conceptual series consisting
of diverse artistic approaches.

Such orienting point of VIDEOLOGIA 2006 is the theme: THE ART OF
TRANSITION: STASIS EX-STATICS KINESIS.

It is evident that there is no absolute stasis in audio-visual imagery;
even a silent and still representation possesses a rhythm, attuning
spectators perception and sense to a certain tempo. However one can make a
gradation of art works targeting at creating a dynamic effect to a lesser
or higher extent. For instance, a single shot video installation made from
one camera angle without editing and aimed for a gallery exhibition will
look less kinetic in a movie theatre than a short cinema work filmed from
different perspectives and edited to create a high tempo of narration.

VIDEOLOGIA festival is very much interested in both types of works. The
festival concentrates on comparison of stasis and kinesis in audio-visual
arts, it is on the quest for ecstatic artistic impulses, which mark
transition from one state to another and are inherent in both of them.
Ecstatic impulse is understood here as a rapture, as coming out of ones
experience, which seems to be essential for making an unpredictable work of
art. Such condition of being outside oneself because of grief or
intellectual exertion, fury or joy is characteristic of any sphere of human
activity, from religion and politics to theory and love.

If you diagnose and explore political transitions from social
disintegration to centralized hierarchies; if your work is dedicated to
unpredictable motions of human mind and heart; if you experiment with the
form of audio-visual art; if you are fascinated by the rhythm itself of
passage from despondency to ardour, from art to politics, from thought to
love, you might be very much interested in taking part in the III

International Festival of Audio-visual Arts VIDEOLOGIA 2006. Welcome!

Shoot motion pictures, participate in the festival, carry on polemics with
audience, and modify ideas of curators!


III. Regulations of the III International Festival of Audio-visual arts

VIDOLOGIA 2006

1. Participation in the festival is free of charge.

2. The following formats are acceptable for selection program:
DVD, Mini DV (pal);
35 mm, 16 mm, 8 mm films.

3. Only works produced not earlier than January 1st 2004 are applicable.

4. Duration of works should not exceed 30 minutes (exceptions may apply).

5. The panel of coordinators of the festival will assemble the selection
program based on criteria of inventiveness, quality and correspondence to
the thematic pattern of VIDEOLOGIA 2006.

6. The entry form should accompany the work sent to the festival.

7. Deadline for submissions is November 1st 2006.

8. All deliveries from international participants should be marked: "no
commercial value - for cultural purposes only".

9. All entrants will be notified November 5th 2006.

10. The entry implies full acceptance of the regulations.

Entry forms can be found in the attached files. For any information mail to
volgafest@yandex.ru


Send your works to:
Yaroslav V. Khokhlov
Do vostrebovaniya
Volgograd 400066
Russia

[FWDCALLS] 22. International Short Film Festival Berlin

REMINDER: CALL FOR ENTRIES

Application Deadline is July, 14th 2006
[]


interfilm Berlin presents:
22. International Short Film Festival Berlin
7.-12. November 2006
[]



This year, the International Short Film Festival interfilm takes place for the 22nd time, a veritable meeting place for the international short film and video scenes. More than 400 short films and videos will be shown during the six days of the festival and an estimated 100 films will be nominated to compete in the international competition. Further prizes will be awarded in the following competitions:
- International Films for Children
- International Films Against Violence and Intolerance
- German Short Film Competition
- eject -The Long Night of the Unexpected

Apart from the competitions, the festival also includes historical short film programs, special focus programs (Czech Republic and Brazil), video programmes, music clips, documentary films and computer animation, as well as the chance to catch up on highlights from previous interfilm festivals. There will be thematically related seminars and parties. Accredited guests are welcome to view any of the festival entries at the film market.

Please send applications to:

interfilm Berlin
22nd Festival
Tempelhofer Ufer 1A
10961 Berlin
Germany

Download Entry Form:
http://interfilm.de/interfilm/download/if22_entry_form.pdf

[FWDCALLS] Stuttgarter Filmwinter

Entry form and regulations of the 20th
Stuttgarter Filmwinter as PDF file. [removed]
If you want to submit a work to the competitions,
please print and fill in the entry form.
The entry form and the other material (video, dvd, documentation etc.)
should reach Wand 5 not later than September 1, 2006.

Please send your submission to:

20th Stuttgarter Filmwinter
Wand 5 e.V.
Friedrichstr. 23 A
70174 Stuttgart
Germany

Phone +49 711 99 33 98 0
Fax +49 711 99 33 98 10
http://www.filmwinter.de/

[FWDCALLS] F_SPACE EXHIBITION

Hello,
Curatorial group is calling for entries for the
official selection of F_SPACE EXHIBITION that will
take place in Paris, France, in October of 2006,
during the 18th Paris International Lesbian & Feminist
Festival.

the Exbition details follow.

For more details about the 18th International
Festival and the Entryform :
http://cineffable.free.fr/us/r_expo.htm
(SOON)

If you have any questions, please contact me.

Best,

M.Perrier
Curator

__________________________________
F SPACE IN SITU EXHIBITION

« … the distinction between sex and gender serves the
argument that whatever biological intractability sex
appears to have, gender is culturally constructed :
hence, gender is neither the causal result of sex nor
as seemingly fixed as sex. »
Judith Butler


During the 18th Paris International Lesbian & Feminist
Film Festival (« Quand les lesbiennes se font du
cinéma »), the Trianon (a mythical theater in Paris),
becomes for four days a unique and global event around
lesbian and feminist culture.

Each year, the festival propose more than sixty
original films coming from all over the world, and
giving a peculiar and innovative look on feminine
homosexuality and the topicality of women condition
worldwide.
Alongside the films, the Trianon regroup, through
three floors, some chat forum, a space dedicated to
the associations, a lounge, a snack bar, and two art
shows.

This year, a new policy of exhibition has been set up
and entrusted to two curators.
One of this exhibit is the F_SPACE project (Feminine
Space).
F_SPACE doesn't pretend to be a space of visibility,
but more of a will to develop in situ some project
designed specifically for the Festival location and
spirit.

Space
Without neither predetermined space nor particular
subject, the project for F_SPACE will have to colonize
the nook and crannies of the place, in it’s most
unusual parts, an thus to get the productions out of
the prescriptivism of traditional art exhibitions.

Each artistic project will have to conceive the place,
and it’s distinctiveness, as an integral part of it’s
plastic expression, and change it to a living space.
given the historical nature of the building, no nail,
screw or the likes (likely to deteriorate) can be
used. Each project will provide it’s own show
structure.
The exhibition, thus conceived, will have the will to
disrupt our look and rapport to the artworks, making
them a part of the meetings, the passers-by, the wait.


Ground floor : entry, reception, too lateral stairs

1st floor : the floor spread between too large stairs
from the ground floor, stairs to the 2cd floor, and
the doors leading to the main auditorium. During the
festival, this floor offer a lounge, snack bar, winter
garden, bathroom and so on.

2cd floor : Mezzanine (inalienable space)

3rd floor : Mezzanine
(images coming soon)

Spirit
The association Cineffable (organizing the Festival)
intend to promote each year the movie production of
women, and for now 18 years shape this International
festival as a unique time in Europe dedicated to
lesbian and feminist worldwide culture. This event
take over the Trianon for the duration, making the
women only policy a way of favoring grounding debates.


The F_SPACE exhibition is viewed as a component of the
event, and claim to be a place of infiltration.
If the question of gender, of homosexuality (their
discrimination or visibility), of women and equality
has tormented recently the intellectual circles, the
exhibition has the will to show how much those
reflections are at the core of the work of cotemporary
international artist.

Exhibition
Confronted to the diversity of the festival and it’s
limited space, the F_Space concept will have to limit
the number of project.
A large media exposure will take place for the F_Space
exhibition (national, international, and specialized)


Note : the 2cd floor mezzanine will accommodate an
other more traditional exhibition.

///////////////////////////////////////////

To submit please send:
- The submission form with all parts filled out
- The project stament
- Images of project
- (For the video)A copy of the video on DVD or miniDV
or DVCam (PAL-format).
- CV and artists statement

SEND YOUR PROPOSAL TO THE CURATOR ADDRESS :
Exhition F_SPACE :
Melanie Perrier
9, rue de capri
75012 PARIS
France

Deadline for application: august the 5th 2006

[FWDCALLS] INTERFACE and SOCIETY

INTERFACE and SOCIETY
a project by Atelier Nord http://anart.no

exhibition Nov.10th - Nov.19th 2006
at Henie Onstad Kunstsenter Oslo Norway.
http://anart.no/projects/interface-and-society/

Atelier Nord is looking for artworks/installations
concerning the transformation of our everyday live
through electronic interfaces (see details below).

APPLICATION DEADLINE 1st July 2006.

Please apply via email to sense@anart.no
subject: INTERFACE and SOCIETY exhibition
with the following information:

1) Project name / year of production
2) Artist name(s) + email / contact information
3) Short project description
4) Project URL + URL for online documentation (pdf, pictures, video)
5) Short CV

Alternatively you can send the requested information via snailmail to:

Atelier Nord
Lakkegata 55 D
N-0187 Oslo Norway
ad: INTERFACE and SOCIETY exhibition

----------------------------------------------------------------------

INTERFACE and SOCIETY

In our everyday life we constantly have to cope more or less successfully
with interfaces. We use the mobile phone, the mp3 player, and our laptop,
in order to gain access to the digital part of our life. In recent years
this situation has lead to the creation of new interdisciplinary subjects
like "Interaction Design" or "Physical Computing".

We live between two worlds, our physical environment and the digital
space. Technology and its digital space are our second nature and the
interfaces are our points of access to this technosphere.

Since artists started working with technology they have been developing
interfaces and modes of interaction. The interface itself became an
artistic thematic.

The project INTERFACE and SOCIETY investigates how artists deal with
the transformation of our everyday life through technical interfaces.
With the rapid technological development a thoroughly critique of the
interface towards society is necessary.

The role of the artist is thereby crucial. S/he has the freedom to
deal with technologies and interfaces beyond functionality and usability.
The project INTERFACE and SOCIETY is looking at this development
with a special focus on the artistic contribution.

----------------------------------------------------------------------
INTERFACE and SOCIETY is an umbrella for a range of activities
throughout 2006 at Atelier Nord in Oslo. Read more at:
http://anart.no/projects/interface-and-society/

[FWDCALLS] Mobile Troops - Urban Jungle / Mobile media art

Call for workshop participation

Mobile Troops - Urban Jungle / Mobile media art

Tuesday 12th of September - Friday 15th of September
at Atelier Nord Oslo/Norway
by Laura Beloff & Erich Berger

Free participation
Application deadline Friday 11th of August
Send applications with CV to sense@anart.no
+

The recent years have witnessed the emergence of mobile
and wireless art works in the media arts. The somewhat
blurry definition "mobile art" is commonly used as a
reference to works, which are incorporating a mobile device
(phone, pda, gps) as a part of the work or which are made
to be viewed on a screen of a mobile device. Various mobile
devices, wireless networks and the concept of technologically
enabeld presence are conditions for this kind of art works.

The wide variety of works (locative media, wearables etc)
under the category of "mobile art" share usually at least
two similarities, they have a technological component as
a vital part of them and they are related to a physical object.

Works, which use mobile media as a critical artistic
medium are not necessarily always inventing new
functions or features for the devices, but are transforming
existing possibilities and by doing it they are exposing
the characteristics of these devices, networks, and the
society using them.

"Mobile troops" ironically points to the fact that we tend to
increasingly equip us with all kinds of necessary interfaces
for surviving the urban jungle. The electronic car key is as
important as mobile phone and credit card. Mobile troops
is a workshop about media art which is mobile,
(possibly) networked, and experimenting with new ideas
and artistic concepts.

Utilizing everyday objects and interfaces, like the
mobile phone, the workshop introduces strategies,
concepts and technologies for artists, designers
and practitioners who are interested in mobile art
and or working with mobile and networked devices.

The workshop will consist of:

* Introduction into the theory and history of mobile art
* Introduction into the technology of mobile art
* Technological infrastructure
* Potential for mobile art
* Concept development and discussions
* Hands on experiments, research and presentations

There is no technological preknowledge necessary.

Tools employed:
Java and Symbian based mobile phones
Mobile Processing
Pure Data
Arduino physical computing platform

+

WORKSHOP PARTICIPATION

Participation is free of charge.

Artists, designers and practitioners interested
in participating are asked to apply with a CV
to sense@anart.no

Application deadline Friday 11th of August

+

Workshop directors and producer:

Laura Beloff(FI) http://www.saunalahti.fi/~off/off
Erich Berger(AT/FI) http://randomseed.org

+

Mobile Troops is part of the Interface and Society project at
Atelier Nord, http://anart.no/projects/interface-and-society/ .

+

Upcoming:

Interface and Society conference 10th,11th of November
and exhibition 10th - 19th of November -
Henie Onstad Kunstsenter Oslo / Norway.

+

ATELIER NORD
PHONE +47 23060880
FAX +47 23060884
E-MAIL office@anart.no
URL http://anart.no
MAIL Lakkegata 55 D, N-0187 Oslo, Norway

[FWDCALLS] PAIN IN THE CLASS

12th Pärnu International Fideo and Vilm Festival PAIN IN THE CLASS

This is another video festival. There are so many of them in the world. Our is the best because it is organized by Non Grata, the best independent alternative art group in the world.
The topic PAIN IN THE CLASS means rather social than poetic issues, rather narrative than abstract works. But most important thing is: please send us interesting and good videos, not bad or boring ones!

send us an email NOT MORE THAN 2 MB, including
your name
country
date of birth
title of the video
duration
synopsis
year
the names of all authors
other important data if necessary
some stills

to

nongrata @ nongrata.ee
(remove spaces around @)

do it before 30th of July 2006

the jury will select the best applications and contact the authors in order to get the videos

the final selection will be done in September 2006

Pärnu International Vilm and Fideo Festival takes place 14-16th of October 2006 in Pärnu, Estonia, Europe

and then,
and then...
there will be prizes, there will be free soup, there will be lots of fun!

--
Mari Kartau
+372 51 14 038
www.hot.ee/siramsiram
www.nongrata.ee
ASK EVERY QUESTION, QUESTION EVERY ANSWER

[FWDCALLS] MA Media Arts at Manchester Metropolitan University

MA Media Arts at Manchester Metropolitan University
School of Art and Design/MIRIAD

Inventive Experiments - Creative Analysis - Critical Discussion

- focusing on digital film, video and photography, audio-visual and networked installation contexts, Internet projects, interactive and telepresent formats of narratives.
- encouraging students to test and develop new forms of content and storytelling
through audience involvement and innovative aesthetics.
- defining media and digital technology through state-of-the-art projects and related
theory as a constantly changing field of artistic expression.

The route recruits students from various backgrounds but with a practical working knowledge of media and image based technology and software together with a strong interest in artistic experiments.

Students will work with artists, tutors and research active staff in the above areas of screen media, networks or installation, and collaborate with the media and computer studios at the School of Art and Design.

International visiting artists will inform about their individual media art practices - as part of a lecture series organized by REACT (Research Engine in Art and Creative Technology, a joint PhD and research platform between The University of Salford and MMU). Invited artists include Jill Scott, Ken Goldberg, Cornelia Sollfrank, Luc Courchesne, Stelarc, Margarete Jahrmann, Toshio Iwai, Rafael Lozano-Hemmer, Christa Sommerer/Laurent Mignonneau and others.

Students are expected to study intensively and independently to prepare for a professional engagement with a broader cultural and artistic community at a national and international level, or for the pursuance of further academic research.

One year full-time/two year part-time programme of practice based research, start October 2006.

Special Features

The degree is part of the Manchester Institute for Research and Innovation in Art & Design, MIRIAD, and embedded in a seminar and teamwork programme on contemporary issues in art and design, designed to develop and share research methodologies, ideas and experiences with the other routes and to understand and imply critical theory. There is a supporting programme of work in progress seminars and reading groups to which staff, students and visitors contribute. The University library houses one of the best Art & Design libraries outside London with specialist research collections in this field. There are also reading rights at the Universities of Manchester and Salford. Within the Faculty of Art & Design, workshop facilities for MIRIAD are wide-ranging with excellent provision of wood, metal, print, printmaking, photography, textiles, ceramics, glass, foundry, sound, TV, DV and IT. Facilities, including studio spaces have been recognized as excellent by the national Quality Assurance Agency.

Manchester itself as well as the region of England's North West provide an inspiring and vibrant professional community with renowned media and art centres like the Cornerhouse, Cube Gallery or Urbis in Manchester, FACT in Liverpool, Folly in Lancaster and many others; hosting major events like the British Art Show, FutureSonic, Liverpool Biennial or most recently StoryRooms, an international networked media art exhibition at the Museum of Science and Industry in collaboration with MMU and the Arts Council England/North West.

Further information on the MA programme can be found under
http://www.miriad.mmu.ac.uk/
to request an application pack please mail
miriadadmissions@mmu.ac.uk

for more information mail Andrea Zapp
a.zapp@mmu.ac.uk

[FWDCALLS] Culture Lab

Detailed information at http://www.ncl.ac.uk/vacancies/vacancy.phtml?ref=G1313


RCUK Academic Fellowship in Culture and Science, Culture Lab

Culture Lab is a unique creative practice-driven interdisciplinary research platform equipped with state-of-the-art digital technology infrastructure which opened in May 2006. The Fellow will be expected to develop research in association with Culture Lab, working in the area of digital technologies and live performance where there are already established strengths. The Fellow will also be expected to collaborate with one or more Schools engaged in Theatre and Performance Studies, Cultural Theory and Human-Computer interaction.

Informal enquiries may be made to Dr Eric Cross, Dean of Cultural Affairs (Tel. 0191 222 6536 or :Eric.Cross@ncl.ac.uk

Job reference: G1313

Closing date: 25 July 2006

The fellowship is available for 5 years from October 2006. Subject to the successful completion of a probationary period and the appointees meeting the University’s criteria for appointment to an academic post the University will guarantee a permanent academic position after completion of the fellowship. Individuals who already hold, or have held, a permanent University position, or an offer of one, are not eligible to apply. Individuals currently holding a personal research fellowship or research grant are eligible.

[FWDCALLS] VAIA 2006

CALL FOR VIDEOS VAIA 2006
V INTERNATIONAL VIDEO ART SHOW OF ALCOI

--> deadline: 01.09.2006 (date of postal stamp)


ORIENTATION
* Video authors from all nationalities and ages can
participate.
* The audiovisual productions should be mono-channel,
produced afterwards to the year 2003.
* Themes are free. Especially we are interested in
risked, multidisciplinary, dreamlike, unquiet and
subversive work. We are open for a variety of styles:
Works of audiovisual exploration with narrative or
abstract elements, videoloops, videoclips,…) and every
form of animation. (Flash, 2D, 3D,…); also creations
of video-dance, video-performance, documental and
moreover all unclassified videos.

ACTIVITIES
* The V International Show of Video Art, VAIA 2006
will be projected in the Cultural Centre of Alcoi, the
11th of November 2006 at 6pm.

SELECTION
* The jury will be formed of the members of
Association “Bona Nit” and a professor of a Faculty of
Fine Arts with wide experience in the field of
audiovisual creation.
* The selected works will form part of the catalogue
of VAIA 2006 and will beprojected in the Cultural
Centre of Alcoi.

TECHNICAL CONDITIONS
­ There is no limit in the number of entries. The
maximum duration of the works is 15 minutes.
­ Works should be sent in MiniDV (-PAL) or DVD
(-PAL/-NTSC).

REQUIRED MATERIAL
1* The participation form, filled in and signed
(download it HERE)
2* A CD with
* 4 Photographs of each submitted video in high
resolution andone of the following formats: *.jpg,
*.tiff, o *.psd
*A short explicative text for each video with less
than 15 lines in your native language, accompanied
with a translation in English or Castellan. (Please
send texts with characters different to the occidental
alphabet as “.pdf” or high-quality images.)
* A short artistic biography
* Translations of the texts in the video(s) if they
are not in English, Catalan or Castellan.

ONLY COMPLETE ENTRIES WILL BE ACCEPTED.

DEADLINE
The submission deadline is the 1st of SEPTEMBER, 2006.

DEVOLUTION
The material will not be devolved.

OBSERVATIONS
* The association cannot be made responsible of any
unforeseen accidents that can affect the presented
works.
* The participants confirm, that they are the only
ones to be made responsible of that the presentation
of the work does not harm the rights of any third
persons. The organizers therefore liberate themselves
of any responsibility referring to this subject.
* The video-authors, selected for the VAIA 2006
edition authorize the diffusion of their work, texts
and photographs in the activities of promotion of the
Association “Bona Nit” and VAIA (interchanges,
programs and cultural publications)
* Once submitted works cannot be removed from the
Show.
* Participating in the Show supposes the complete
acceptation of these norms.

MORE INFORMATION IS AVAILABLE IN www.VIDEORAUM.net

SEND YOUR MATERIAL AT
VAIA 06/ Association “Bona Nit”
C/ Palancia nº3 pta 2; 1piso
46021 Valencia
SPAIN



::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::


CONVOCATORIA VAIA 2006
V MOSTRA DE VIDEO ART INTERNACIONAL D'ALCOI


--> deadline 01.09.2006 (fecha del sello postal)

ORIENTACIÓN
* Podrá participar cualquier/a video artista de
cualquier nacionalidad y edad.
* Las producciones audiovisuales serán de tipo
monocanal realizadas posteriormente al año 2003.
* La temática será libre. Especialmente tenemos
intereses en trabajos arriesgados, multidisciplinares,
oníricos, inquietantes y subversivos.
* Estamos abiertos a una gran variedad de estilos y
géneros: obras de exploración audiovisual con
elementos narrativos, abstractos (Videoloops,
Videoclips,...) y cualquier tipo de animación (Flash,
2D, 3D,...). También trabajos de videodanza,
videoperformance, documentales y todos los videos
inclasificados.

ACTIVIDADES
* La V Mostra de Video Art Internacional d’Alcoi, VAIA
2006 se estrenará en el Centre Cultural d’Alcoi el día
11 de Noviembre, 2006 a las 18h.

SELECCIÓN
* El comité de selección estará formado por los/las
miembros de la Asociación Cultural “Bona Nit” juntos
con un/a profesor/a invitado/a de una Facultad de
Bellas Artes con amplia experiencia en el campo de las
artes visuales.
* Las obras seleccionadas formarán parte del Catálogo
de VAIA 2006 y serán proyectadas en el Centre Cultural
d’Alcoi.

CONDICIONES TÉCNICAS
* No habrá límite del envió de numero de producciones.
La duración máxima de los videos será de 15 minutos.
* El formato de video será MiniDV -PAL o DVD
(-PAL/-NTSC).

MATERIAL REQUERIDO
1 * El formulario firmado y rellenado (bajarlo aqui)
2 * Un CD con
* 4 fotos de cada video entregado en alta resolución,
en los formatos *.jpg, *.tiff, o *.psd,
* Un breve texto explicativo para cada video de menos
de 15 líneas en tu idioma nativo acompañado por una
traducción en Inglés o en Castellano. (Por favor los
textos con caracteres diferentes del alfabeto
occidental serán enviados como “pdf” o como imágenes
en alta calidad en los formatos *.doc, *.rtf o *.pdf
* Una corta biografía artística.
* La traducción de los textos de los videos, si estos
son diferentes del Inglés, Catalán o Castellano.

NO SE ACEPTAN ENVIOS INCOMPLETOS.

FIN DE CONVOCATORIA
Termina el plazo de la convocatoria de VAIA 2006 el 1
de SEPTIEMBRE 2006.

DEVOLUCIÓN
El material enviado no se devolverá.

OBSERVACIONES
*La asociación no se responsabiliza de los accidentes
imprevistos que pueden afectar a las obras
presentadas.
*Se confirma que los video-autores participantes sean
los únicos responsables de que la participación de la
obra no vulnere los derechos de terceras personas, y
por tanto los organizadores se liberan de cualquier
responsabilidad referente de este tema.
* Los/las autores seleccionados de la edición VAIA
2006 autorizarán la difusión de su obra, texto y
fotografías en las actividades de promoción de la
Asociación Cultural “Bona Nit” y de VAIA.
(Intercambios, programas y publicaciones culturales).
*Una vez enviado el trabajo no podrá ser retirado.
*El hecho de participar en la Mostra supone la
aceptación plena de estas bases.

MÁS INFORMACIÓN DISPONIBLE EN www.VIDEORAUM.net

ENVÍA EL MATERIAL A
VAIA 06/ Associació “Bona Nit”
C/ Palancia nº3 pta 2; 1piso
46021 Valencia
España